Author: Robert S. Miola, Department of Classics, Loyola University Maryland

Abstract: »Seneca conducted Shakespeare on a journey through the dark side of human life - rage, madness, tyranny, revenge, and furor. This journey passed infernal and nightmarish landscapes, per Stygia ("through Stygian regions"), per amnes igneos ("through rivers of fire"), and per scelera ("through crimes"). It introduced protagonists who dare to defy the gods and dislocate the universe by committing evils without precedent and beyond limit (modus). This experience of the dark side furnished Shakespeare (and most of the West) with resources for drama, especially tragedies like Titus Andronicus, Macbeth, Hamlet, Richard III, and Othello. We shall explore Shakespeare's reception of these resources through three distinct but related modalities - quotation with and without Latin markers; the reimagination of extended passages, characters, and actions; and the refiguration of a convention, the domina-nutrix dialogue.« (Source: Memoria di Shakespeare)

Contents:

	1. Foreword (p. 239)
	2. An elusive self (p. 244)
	3. Rape/Ravishment (p. 248)
	4. An ironic happy ending (p. 251)
	References (p. 253)

Wikipedia: Ancient history: Ancient Rome | History of Europe: History of England / Elizabethan era | Literature: Latin literature / Seneca the Younger | Literature: English literature / William Shakespeare | Literature: Fiction about rape / Phaedra (Seneca), Titus Andronicus | Sex and the law: Rape / History of rape